Kỹ Thuật Laser (Chapter 1: Introduction) - Vũ Thanh Tùng

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Hanoi University of Science and Technology School of Mechanical Engineering KỸ THUẬT LASER Vũ Thanh Tùng 1

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Chapter 2: Light Source HeNe 0/0 Ar++ Rubi Nd 1 0,8 Pho truyen qua cua mat 0,6 0,4 Pho hap thu cua vong mac 0,2 Buoc song  500 1000 1500 nm Đồ thị 2.1 phổ hấp thụ và truyền qua của laser 14

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Chapter 2: Light Source do phan xa 1 A 0,8 0,6 0,4 B 0,2 Buoc song  500 1000 1500 nm Fig 2.2 : độ phản xạ phụ thuộc vào bước sóng 15

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Chapter 2: Light Source 2.1 Wavelength Laser Wavelength Tuning Fig 2.1.3 Laser tuning using the wavelength dispersive behavior of a diffraction grating or a prism (left). Use ò a birefringent filter as a wavelength-selective element (right) 18

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Chapter 2: Light Source 2.1 Wavelength Laser Wavelength Tuning When a weak optical field interacts with a material, it creates a polarization in the material made up of many electric dipoles. The strength of this polarization is linearly proportional to the magnitude of the optical field and the dipoles re-radiate light with the same frequency of the optical field. This is the regime of linear optics. When an intense optical field encounters a material, the polarization no longer responds linearly to the applied field. Instead, it becomes quadratically-dependent (or even higher order) on the field. This nonlinear dependence on the optical field is why intense light sources are required for nonlinear optics and why experimental observation of NLO phenomena did not occur until the laser was invented. Furthermore, dipoles can no longer reproduce the same frequency as the incident optical field. It is like music being played through an amplifier that cannot reliably reproduce the sound but instead distorts it. Thus, the distorted, re-radiated field contains additional frequencies compared to the original field. The nonlinear dependence of the material on the incident optical field results in a single frequency being converted into new frequencies. 19

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Chapter 2: Light Source 2.1 Wavelength Nonlinear Frequency Conversion Fig 2.1.4 three-wave mixing processes that allow for nonlinear frequency conversion. The colors of the frequencies generally describe their relative spectral positions, i.e., purple> blue > green > red > dark red, while the width of the arrows denotes the relative intensity of the beams. 20

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